360-degree video supports immersive applications such as virtual reality, autonomous driving, and education. Because spherical content cannot be processed directly by conventional video codecs, it must first be mapped to a two-dimensional projection. Projection choice affects spatial continuity, sampling uniformity, motion estimation, and compression efficiency. This thesis investigates how projection format influences end-to-end neural compression of 360-degree video. Seven formats supported by JVET 360Lib are evaluated using the scale-space flow model, JVET test sequences, and common test conditions. Each sequence is converted from its source equirectangular projection to a coding projection, compressed at multiple rate points, reconstructed, and converted back. Performance is assessed using PSNR, spherical PSNR, weighted spherical PSNR, and Bjøntegaard delta rate. A differentiable pipeline combining projection conversion, neural compression, and inverse projection is also compared with 360Lib. Results show that equirectangular and padded equirectangular projections provide the highest compression efficiency with the scale-space flow model, while cubemap-based and rhombic dodecahedron projections are less effective. This differs from the conventional HM-16.16 codec, for which cubemap-based formats, particularly equi-angular and adjusted cubemap projections, outperform equirectangular formats. Neural models based on optical flow benefit from the spatial continuity of single-face projections, whereas block-based hybrid codecs better accommodate multi-face layouts. These findings show that projection efficiency is codec-dependent and provide guidance for selecting projections for learning-based 360-degree video compression.
360-degree video telepresence offers strong immersive potential but remains constrained by the limited resolution of current capture and display hardware. Many telepresence installations feature fixed viewpoints and largely static scenes, yet optimization strategies tailored to such setups have received limited attention. We present a multi-layer, ultra-high-resolution system for static 360-degree telepresence that combines an 8K panoramic camera with a rotatable 4K pan-tilt-zoom (PTZ) camera. Our approach builds a three-layer representation: (1) a tile-based ultra-high-resolution panoramic background, generated by offline stitching high-detail 4K PTZ scans onto the base 8K panorama to achieve effective resolution beyond native capture, and represented as a set of spatial tiles; (2) a dynamic update layer that composites foreground motions from the 8K stream via real-time high-resolution background matting; and (3) a region-of-interest 4K layer that streams a real-time PTZ view of the selected region and additionally updates the corresponding background tiles over time. We evaluate the proposed system through comparisons with representative video super-resolution approaches and a user study assessing perceived detail and immersive experience. Our results indicate that tile-based background refinement, together with user-guided updates, provides a practical way to balance panoramic fidelity and interactivity in static 360-degree telepresence.