On the Separation of Human and AI-Generated Images in CLIP Embedding Space

We identify a previously unreported phenomenon in CLIP representations: human and AI-generated paintings spontaneously separate along the dominant principal directions of their joint embedding distribution, without any supervised objective designed to distinguish the two classes. Rather than exploiting this phenomenon for detection, our objective is to interpret it: we seek to identify the visual information underlying the separation and to trace it back from the embedding space to the image domain. We pursue this objective through a progressive investigation combining interpretable image representations with gradient-based inversion, used systematically as an experimental probe of the relationships identified in feature space. Robustness experiments and increasingly expressive statistical descriptors progressively rule out several intuitive explanations based on global image properties and simple local statistics, and point instead to distributed multiscale image structure. Multiscale scattering provides the most informative interpretable representation considered, but offers only a partial account of the phenomenon. Direct inversion provides a complementary and striking observation: substantial displacements along the dominant CLIP directions can be induced by image perturbations that remain nearly imperceptible to human observers, showing that the directions involved in the separation are highly sensitive to image variations with very low perceptual salience for humans. Taken together, these results reveal a significant difference between the visual evidence reflected in CLIP representations and that readily accessible to human perception, raising broader questions about the relationship between artificial and human vision and, ultimately, between artificial and human aesthetic judgment.

Transformation Behavior of Images in Latent Space

Training of neural networks for histopathology classification tasks typically relies on data encoding into latent space, which reduces complexity and improves performance. There are several encoder networks available, either pretrained on general image datasets such as ImageNET, or specifically on histopathological images. Training of encoder networks should be adapted to downstream tasks, allowing encoding of biologic/diagnostic content while rendering networks invariant to label-irrelevant transformations. This paper investigates the effect of classical image transformation on the latent space, using networks provided by Lunit Inc. and Bioptimus, both focusing on pathological images, and by Meta Research Team. We assess variance of embeddings resulting from standard data transformations by comparing original and transformed image embeddings and by contrasting them with random, unrelated embeddings, using image tiles from hematoxylin/eosin-stained sections available in a colorectal tissue dataset and the publicly accessible TCGA dataset. Our findings show that embeddings of original and transformed images are closer to each other than to random embeddings, indicating robustness to transformations. However, they are not fully invariant, revealing that the encoder networks do not completely neutralize transformation effects in latent space, explaining why transformation-mediated augmentation of datasets can improve performance. Significant differences were observed between general and histopathology-specific encoder networks.