Yuxuan Jiang, Mingyang Han, Yusheng Dai +12cs.SD cs.AI eess.AS
Text-to-audio (TTA) generation has made significant strides, yet achieving precise and consistent audio editing remains a major challenge. However, existing methods struggle to balance temporal consistency with background preservation. In this paper, we propose FreeSonic, a training-free framework leveraging the state-of-the-art Rectified Flow-based TangoFlux model. FreeSonic utilizes an optimized inversion-reverse process and joint text-audio attention maps for precise target segment extraction. For content editing, a novel scheduled attention decoupling confines modifications to target regions while preserving original acoustic context. Furthermore, task-oriented noise injection enhances versatility for tasks such as audio removal and non-rigid replacement. Extensive experimental results demonstrate that FreeSonic achieves a superior balance by providing a high-fidelity and efficient solution for precise and consistent audio editing. Project and demos: https://free-sonic.github.io/
Speech emotion recognition is an important component of modern human-computer interaction systems. However, many state-of-the-art approaches rely on large pretrained models with high computational and memory requirements, limiting their applicability. This paper proposes ResLSTM-SA, a lightweight architecture that integrates residual connections with soft attention within an LSTM-based framework. Evaluated on the RAVDESS dataset under strict speaker-independent partitioning, the proposed model outperforms conventional attention-based LSTM baselines and several previously reported CNN- and hybrid CNN-LSTM architectures in terms of unweighted average recall (UAR). The best-performing variant (ResLSTM-SA-h64) achieves a maximum UAR of 0.6517 with only 46.8k trainable parameters, delivering competitive accuracy with three orders of magnitude fewer parameters than large-scale self-supervised alternatives, thereby enabling efficient deployment on edge devices and real-time voice assistants. The source code is available at https://github.com/Mak-Sim/ResLSTM-SER.
This study aims to enhance the quality of music generation using Transformers by incorporating meta-information. While Transformer-based approaches are effective at capturing long-term dependencies in musical compositions, the music they generate often suffers from issues such as excessive repetition or duplication of notes, leading to unnatural melodies. To address these limitations, we propose Musical Attention, a mechanism that incorporates meta-information such as bar numbers, key, signatures, and tempos into the attention process. Musical Attention explicitly leverages both the structural properties of music and its associated metadata, enabling the Transformer's attention mechanism to operate more effectively and thereby improving the quality of the generated output. In our framework, each musical note is represented as a combination of five events-pitch, bar number, onset, duration, and velocity in addition to the three metadata elements. The attention mechanism is then modified to reflect the correlations among these eight features, allowing the model to better capture the inherent characteristics of musical composition. Experimental results demonstrate that the model incorporating Musical Attention outperforms prior methods, such as Full Attention and Strided Attention, in terms of musical coherence, variation, and overall quality. Notably, it significantly reduces repetition and enhances the model's ability to generate diverse, harmonically consistent melodies. Musical Attention thus represents a meaningful advancement in AI-driven music generation, facilitating the creation of more natural and expressive compositions.