Traceback Translators Against Forgetting in Continual Fake Speech Detection

Fake speech detectors are increasingly challenged by the development of new and more accurate generative models. To cope with this problem, continual learning techniques are nowadays widely considered feasible strategies for updating models to new datasets, but they also lead to decreased performance on previously seen samples (catastrophic forgetting). In this work, we propose a forgetting-resilient solution based on the adoption of domain translators within a frozen detector, which remaps the new feature spaces into the original ones by means of a traceback translator network. Experimental results show that this strategy enables the achievement of high detection rates with respect to traditional retraining, while minimizing the computational effort and preserving the detection accuracy on previous data.

Unified Gradient Projection: Language-Balanced Continual Learning for Multilingual Low-Resource ASR

Large-scale pretrained ASR models such as Whisper exhibit strong multilingual capabilities. However, fine-tuning on low-resource languages often causes catastrophic forgetting. Although continual learning mitigates this issue, existing methods struggle to regulate cross-task interference in multilingual settings, where dominant languages bias optimization. We propose Unified Gradient Projection (UGP), which constrains parameter updates using reference gradients from language-balanced replay in a unified projection space. By equalizing per-language contributions in the projection, UGP reduces dominant-language bias and improves cross-lingual stability. We further show that combining gradient-level projection with data-level replay yields complementary gains in stability and plasticity. Across diverse low-resource language groups and model scales, UGP enables effective adaptation while substantially mitigating forgetting. On Whisper-large-v3, it achieves near-zero average forgetting.

REDDIT: Correcting Model-Generated Timestamp Drift in ASR without Forgetting via Replay-Based Distribution Editing

Modern autoregressive ASR systems can emit timestamps as decoded tokens, enabling timestamped transcription without frame-level aligners or inference-time post-processing. We show that these generated timestamps can drift across long non-speech spans: the transcript may remain plausible, but the decoded time axis drifts away from the audio. We study this non-speech-induced timestamp drift with self-built gap and long-gap benchmarks across 15 evaluated timestamp-producing ASR and audio-language systems. Naive timestamp-corrected fine-tuning improves alignment but can severely degrade non-target ASR behavior, exposing a forgetting problem. We propose REDDIT(REplay-based Distribution eDITing), a lightweight two-stage post-training framework that corrects timestamps while avoiding this catastrophic forgetting: it first edits timestamp targets under the model's own replayed decoder context while matching the frozen base distribution on non-timestamp tokens, then applies a short edited-prefix refinement stage. In this framework, we construct correction supervision without human transcripts or human timestamp annotations by combining VAD-trimmed speech spans with inserted non-speech gaps and known concatenation offsets. On Whisper-tiny, 34.9 hours of targeted correction audio used and only 1.6% of model parameters updated, raising long-gap mIoU from 38.7% to 95.0% and reducing mixed-gap out-of-domain AAS from 2752 ms to 223 ms while preserving CV-en MER at 41.3% (versus 524.2% for ordinary SFT decoder tuning).

Empirical Study of Pop and Jazz Mix Ratios for Genre-Adaptive Chord Generation

Chord progression generation is practically important but understudied. Most large-scale symbolic music systems target melody, multi-track arrangement, or audio synthesis, and chord-only models tend to be relegated to conditioning components inside larger pipelines. This paper treats chord generation as a standalone task and addresses a question that arises whenever such a model is adapted across genres: how much old-domain data must be retained during fine-tuning to acquire a new domain without forgetting the old? I study jazz fine-tuning starting from a pop-pretrained 25M-parameter Music Transformer (84.24% top-1 chord accuracy on a held-out pop test set). The available jazz corpus is an order of magnitude smaller than the pop corpus, so every fine-tune run uses all 1,513 jazz training sequences. The swept variable is the volume of pop "rehearsal" data mixed alongside, taking values in {0, 1K, 2.5K, 5K, 10K}. Every fine-tuned model gains 7 to 9 points of jazz top-1. Pop accuracy collapses by 2.14 points under jazz-only fine-tuning, recovers to baseline at approximately 2.5K rehearsal samples (1.65x the jazz volume), and saturates beyond that point. A complementary observation: the metric-best run (F3, 2.5K mix) is not always the perceptually preferred one. The pop-leaning (10K) and jazz-leaning (1K) endpoints carry more committed stylistic identities that the author more often selects as finished output in informal listening. I discuss what this suggests for music co-creation tools but make no perceptual claim, since no formal listening study has been conducted. All six checkpoints are released on the HuggingFace Hub at https://huggingface.co/PearlLeeStudio.