Building and Evaluating Fixed-Voice Thai TTS from Synthetic Speech

In low-resource settings, deploying TTS typically requires choosing between a large voice-cloning model with costly inference or a compact fixed-voice system that requires a speaker-specific corpus. We study a third route: using a large voice-cloning model as a programmable data source to turn a short voice reference (e.g., 15 seconds) into a compact fixed-voice student trained entirely on synthetic speech. This setting makes pipeline design consequential: teacher errors become training targets, while filtering failed generations can reduce coverage of difficult texts. Thai further introduces challenges from ambiguous word boundaries, lexical tone, names and loanwords, numeric verbalization, and Thai-English code-switching. We study how text preparation, synthetic generation, quality filtering, rejection sampling, and frontend choices affect the resulting student, and where teacher limitations remain. We evaluate CER, Challenge-Set Keyword Accuracy, Prosody Pause Accuracy, speaker similarity, and speaking rate. The resulting 82M-parameter model, Wayu-Paxa-TTS-Edge, enables on-device Thai TTS without reference audio. It achieves 68.2% Challenge-Set Keyword Accuracy (85.5% of Gemini 3.1) and 91.4% pause precision, outperforming its OmniVoice teacher (89.9%) and reaching 94.8% of Gemini 3.1. It also achieves the lowest pause-placement error and intra-word pause rates among the three systems, and 3.7% and 1.1% CER on Thai and English, respectively. We open-source the model and evaluation framework for Thai TTS development.

TUTTI: Toward generalizable audio-to-score transcription via fully synthesized data

Generalizable Audio-to-Score (A2S) transcription is fundamentally constrained by the severe scarcity of high-quality, real-world paired data. Relying solely on existing human-annotated datasets often restricts the generalization of A2S models, limiting their efficacy primarily to single-instrumentation domains. To break this dependency on scarce real-world data, we introduce TUTTI (Transformer for Unified audio-To-score Transcription trained on Synthetic multi-Instrumentation Data), a pre-training paradigm driven by a purely synthetic, large-scale dataset. Rather than using human-composed scores, we leverage a symbolic music generation model to generate a massive, highly scalable multi-instrumentation corpus and create audio-score pairs with expressive acoustic characteristics. Capitalizing on the generated data, we employ a standard Transformer encoder-decoder architecture. We empirically demonstrate that pre-training a unified attention-based model on generated, multi-instrumentation data yields a consistently stronger foundational representation than single-instrumentation training. When fine-tuned with downstream real-world datasets, TUTTI outperforms previous approaches, establishing new overall state-of-the-art results across various A2S baselines. Notably, TUTTI shows remarkable cross-instrument transferability, effectively adapting to unseen instruments with highly competitive performance. The source code and the TuttiCorpus dataset will be made publicly available at https://github.com/a-musiclover/TUTTI.

On the Role of Conversational Timing in Synthetic Training Data for ASR

Synthetic multi-speaker conversations are widely used to train conversational automatic speech recognition (ASR) systems, but it remains unclear which timing properties make simulated data most useful. This paper studies conversational timing as a controllable training variable rather than merely as a corpus statistic to be reproduced. We parameterize pause and overlap timing distributions with an exponential-tilting family estimated from multiple conversational corpora, and then explore the resulting four-dimensional parameter space with Latin hypercube sampling and multi-objective Bayesian optimization. Each sampled timing configuration is used to generate simulated training conversations, train an ASR system, and evaluate concatenated-permutation word and character error rates (cpWER and cpCER) on a Hungarian dialogue corpus. The results show that downstream ASR behavior is explained more directly by induced timing statistics than by raw simulator coordinates or corpus proximity. In particular, higher overlap exposure is associated with lower cpWER, whereas longer and more variable gaps are associated with higher cpWER; cpCER follows the same trend, but with weaker statistical support. Bayesian optimization yields modest aggregate improvements, but its main value is analytical: it produces controlled timing interventions that reveal an overlap--gap trade-off in simulated conversational training data. These findings suggest that realistic simulation should be complemented by task-relevant diagnostics of overlap, gap, and timing-variability profiles.

MuScriptor: An Open Model for Multi-Instrument Music Transcription

Existing methods for automatic music transcription are often limited to single-instrument recordings or fail on complex, real music mixes. Although previous work utilizes synthetic training data, the resulting models generalize poorly, leading to largely unusable transcription output in realistic, multi-instrument settings. In this work, we analyze the effectiveness of synthetic data for pre-training while combining it with fine-tuning on real music audio and post-training using reinforcement learning. We further introduce conditioning on instrument presence to customize transcriptions. Finally, we release MuScriptor, an open-weight multi-instrument music transcription model that works on real-world music recordings from across a diverse range of musical genres.

Synthetic Audio Generation Framework for Air Traffic Control Speech Recognition

Automatic Speech Recognition (ASR) systems, despite achieving remarkable accuracy in general-purpose domains with native speech (L1), struggle in domains like Air Traffic Control (ATC) due to strong channel noise, a presence of non-native (L2) English accents, and data scarcity. We propose a synthetic data generation pipeline with acoustical properties simulations specifically designed to address this lack of real data to improve recognition accuracy in the ATC domain. Our approach leverages a combination of neural generation techniques, including Text-to-Speech, Voice Conversion, L2-to-L1 accent conversion, and a novel controllable L1-to-L2 accent conversion framework built to simulate accented speech. Our experiments with the Whisper model on the ATCO2 corpus demonstrate that fine-tuning with either synthetic data alone, or a mix of real and synthetic data, significantly improves the word error rate over out-of-the-box and real data only baselines respectively.

Velocity Prediction in Automatic Guitar Transcription

Automatic Music Transcription (AMT) models have achieved a high level of success in polyphonic transcription of various instruments. Velocity, typically a measure of note intensity, is less commonly predicted in these models due to the absence of velocity labels in available datasets and lack of a proper definition for instruments other than piano. We present a methodology and model for velocity prediction in Automatic Guitar Transcription (AGT) which uses virtual instruments to generate synthetic training data with velocity labels. We first pretrain a model on this synthetic data. These weights are then transferred to a different model and trained on real guitar audio, allowing the model to retain the working velocity prediction while also achieving high performance and generalisability from the real training data. The velocity prediction is shown to outperform a baseline model which does not use the pretrained velocity weights, when evaluated on synthetic data. In addition, using the pretrained velocity weights offers a small improvement in note transcription, though the magnitude of this improvement is limited and not always significant depending on the testing data. Overall the model achieves results comparable to the state of the art in guitar transcription, while also successfully predicting velocity.

LLM-Based Synthetic Ground Truth Generation for Audio-Based Emotion Classification via In-Context Learning

Understanding human states and interaction dynamics is a core goal of human-computer interaction (HCI). As interaction paradigms become more immersive, virtual reality (VR) has emerged as a powerful platform for studying collaborative work. In such settings, evaluating team collaboration states, including team performance and team resilience, requires continuous and reliable inference of latent team-level cognitive and affective states from multi-modal sensor data, such as speech signals. However, generating ground truth labels for these latent states remains challenging due to sensor-induced noise, contextual variability, and sparse expert annotations. Traditional self-reporting approaches provide only static and delayed measurements and are therefore insufficient for capturing dynamic team processes reflected in continuous speech data. In this work, we propose a large language model (LLM)-driven, agentic inference workflow for automated emotion-related synthetic ground truth generation from streaming speech data in multi-user VR environments. Leveraging the generalization capabilities of LLMs, we use In-Context Learning (ICL) with few-shot demonstrations of paired audio-based samples and their corresponding transcriptions. ICL tends to achieve task adaptation comparable to model fine-tuning while circumventing the computational overhead of parameter updates. To construct informative and robust in-context prompts, we adopt a retrieval-based selection strategy that dynamically identifies relevant audio demonstrations based on similarity in the acoustic feature space.

SpectCount: Spectrotemporal Counting via Synthetic Signals Improves Large Audio Language Models

Large audio language models (LALMs) extend large language models with an audio encoder and large-scale audio data. However, the scarcity of high-quality annotated audio data remains a fundamental bottleneck for scaling. Through probing signal detectability analysis, we identify fine-grained spectrotemporal perceptual weaknesses in a foundation LALM. To address these challenges, we propose Spectrotemporal Counting (SpectCount), a data-efficient fine-tuning approach based on fully synthetic audio signals generated on-the-fly, without relying on real-world audio, annotations, or pretrained generative models. SpectCount not only resolves the observed weaknesses but also improves performance on diverse auditory benchmarks spanning sound, music, and speech, unseen during fine-tuning. These results suggest that weakness-targeted synthetic signals provide a data-efficient path toward enhanced auditory understanding capabilities in LALMs.