Narrating the visual component of movies is known as audio description. It is a narrative technique designed to enable blind and visually impaired individuals to follow the story. However, it is far more constrained than most narratives: the descriptions not only need to convey the story in the movie, but they must also fit into gaps between dialogue and they need to conform to guidelines that exist in each region. In this work, we compare audio description created in the United Kingdom against audio description created in the United States. We use guidelines written for these two regions, alongside the impressions from a practitioner in the field, to motivate specific hypotheses about the differences. We test these hypotheses against our pre-existing corpus, which provides both human-authored American and British audio description for each of 206 movies. Results provide quantitative evidence to uphold all tested hypotheses, including differences in lexicon, the use of the progressive aspect, the use of passive constructions, the use of subjective adjectives and modifiers, when characters are named, how scenes are cued, and degree of overlap with movie dialogue and music. Our work offers a quantitative lens into the narrative technique of audio description.
We present a computational corpus study of vocabulary relationships across eight tradition layers of Bengali and Sanskrit devotional literature spanning the 8th to 19th centuries, encompassing Buddhist Vajrayana, Shakta Tantra, Vaishnava, and Baul traditions. Using a corpus of 75 texts and TF-IDF character n-gram vectorization with cosine similarity analysis, we address the historically argued but previously unquantified claim that Buddhist Vajrayana vocabulary survived the collapse of the Pala monasteries and was absorbed into the Shakta Tantra tradition of Bengal. The central finding is a specificity result: the Gitagovinda (Vaishnava Sanskrit, 12th century) has zero cosine similarity to Shakta Kali texts, while Bridge Tara texts (Buddhist-Shakta transitional, same century, same language) have cosine similarity 0.54 to Shakta Kali. This 8.5-fold contrast between two Sanskrit traditions from the same century demonstrates that the Buddhist-Shakta vocabulary overlap is not a generic property of Sanskrit devotional literature but is specific to the Buddhist-Shakta transmission chain. Three Brihannilatantra Tara texts show Shakta-to-Buddhist vocabulary ratios of 2.0 to 4.0, constituting measurable evidence of lexical transition within that chain. Ramprasad Sen's 18th-century Bengali Kali songs preserve Buddhist vocabulary residue including 56 occurrences of Tara alongside 103 occurrences of Kali. The Vaishnava Bengali tradition contributes a parallel chain to modern Baul vocabulary (similarity 0.29), slightly weaker than the Buddhist Sahajiya chain via Charyapada (0.31). These results provide the first quantitative multi-tradition corroboration of historically argued Buddhist-Shakta syncretism in Bengal.