Class-imbalanced node classification on temporal graphs is challenging because majority-dominated temporal propagation progressively assimilates minority representations, while conventional node and neighborhood information provides insufficient discriminative evidence for minority classes. To address these issues, we propose MDTE, a minority-aware diffusion framework that reconstructs stable and discriminative temporal edge-event representations through conditional diffusion denoising. Specifically, MDTE introduces Distribution-Aware Selective Propagation, which combines Local Outlier Factor (LOF)-based propagation filtering with cluster-aware low-frequency propagation. The module preserves informative neighborhood dependencies while mitigating harmful propagation and majority-class information assimilation. It further develops Multi-View Discriminative Fusion, which exploits feature reconstruction and topology prediction to characterize class-wise differences in distribution learning and extracts complementary discriminability signals to guide denoising. Experiments on five real-world datasets demonstrate that MDTE consistently achieves the best performance on minority-class-oriented metrics, improving minority-class recall by up to 23.53 percentage points, minority-class F1 by 8.68 percentage points, and AUPRC by 2.67 percentage points over the strongest baselines.
Text-guided audio editing aims to modify the language-specified acoustic content while preserving edit-irrelevant source components. Existing training-free methods typically rely on inversion-based editing. While inversion-free editing is appealing as it decreases computational overhead and reconstruction errors, it remains largely unexplored for audio editing. The key challenge is to construct a source-to-target editing path through diffusion denoising dynamics. In this paper, we introduce DirectAudioEdit, the first attempt to develop a training-free and inversion-free method for audio editing. Experiments on music and event-level benchmarks across two backbones show that DirectAudioEdit reduces macro-averaged FAD and KL by 15.9% and 15.8% compared with DDPM inversion, while achieving up to 64.5% editing speedup.