Smoothness of a function on the real line is reflected in the decay of its Fourier transform, which suggests that smoothness of a function in $L^2(G)$ for a group $G$ should mean concentration of the Fourier coefficients at low frequency. Such a reading presupposes an ordering of the irreducible representations of $G$, but for non-abelian $G$, no ordering is canonical. Given a symmetric generating set $S$, the Laplacian of the associated Cayley graph is block diagonal over the dual, and we order the irreps by the mean of the eigenvalues in each block. This produces an ordering function $ω:\widehat{G}\to\mathbb{R}$ that depends only on the pair $(G,S)$. This function is bounded between zero and two, vanishing only at the trivial representation and achieving the upper bound exactly when the Cayley graph is bipartite. We then ask how much freedom the construction has. Within the class of operators satisfying natural axioms, the induced orderings are exactly the real functions on the dual vanishing at the trivial representation and agreeing on conjugate pairs, and the orderings coming from inversion orbits of conjugacy classes form a basis for them. We cut the freedom down further by requiring two additional inputs: nonnegativity of the class weights and a declaration of which group elements count as uniform incremental changes, which pins the operator to the Cayley-Laplacian up to positive scale. We observe that the construction persists for compact groups even though the Cayley graph does not, and we extend the theory to finite sets carrying a transitive group action, where the acting group selects which frequencies exist and the generating set orders them. The answer to the title question is therefore that smoothness is a property of a function together with a choice of group and generating set, not of the function alone.
Unauthorized unmanned aerial vehicle (UAV) activity around airports, public venues, and other sensitive sites has made protected-airspace monitoring increasingly important. A practical sensing system must search a wide angular region, find small long-range targets, and return both bearing support and UAV-specific evidence before a restricted perimeter is breached. Existing UAV detection paths often rely on spatially organized evidence, such as body extent, silhouette, or track continuity. At long range, however, these cues become difficult to preserve and verify as the target footprint weakens and its image-plane support shrinks. EventRadar follows a complementary cue: propeller-induced temporal periodicity, which recent event-camera sensing studies have shown can reveal UAV-specific motion after appearance becomes weak. We extend this cue to kilometer-scale active sensing with an event-camera prototype. Scene-Anchored Geometry Evidence (SAGE) fuses scanning events with IMU pose to maintain a bearing-indexed scene memory, separating transient candidate support from persistent background clutter. Comb-guided Harmonic-Group Learned Iterative Shrinkage and Thresholding Algorithm (CHG) then treats each candidate as a weak high-rate timing signal and recovers phase-insensitive harmonic evidence with fixed compute. Compared with related event-camera baselines on 700-1500 m UAV event recordings, EventRadar achieves 0.990 mAP$_{.3}$ and 0.949 F1$_{.3}$, reduces FN$_{.3}$ to 0.009, and shows real-time feasibility in prototype profiling.
We study the assignment of local tonalities to chord sequences, a task useful for harmonic analysis, composition, and jazz-oriented improvisation. Standard dynamic-programming approaches minimize modulations but can introduce unnecessarily many tonal centers. We compare this transition-only objective with pure minimum-vocabulary analysis and with tonal parsimony, which minimizes lexicographically the number of modulations and then the number of distinct tonalities. Although this joint objective is combinatorially hard in general, we give exact algorithms exploiting the fixed 24-tonality major/minor universe. On 31,032 LMD Chords sequences, tonal parsimony preserves the transition optimum while reducing tonal vocabulary in 55.8% of cases. With weighted jazz-substitution closure, it lowers mean tonalities from 3.802 to 3.206 and modulations from 16.728 to 12.141. On 1,555 annotated jazz standards, it improves compatible chord-scale agreement to 95.6%, supporting tractable professional-scale harmonic analysis.