Beyond Fixed Luminance: Towards Panchromatic and Orthochromatic Image Colorization

Most image colorization systems operate in $Lab$ space by predicting chroma ($ab$) while preserving an input-derived luminance channel ($L$). While effective on standard benchmarks, this fixed-luminance design restricts brightness changes and becomes unreliable when grayscale formation deviates from natural-image luminance, as in historical orthochromatic photography. We propose a luminance-agnostic colorization framework that formulates colorization as full-RGB image editing using a foundation image-editing model. To bridge modern panchromatic and historical orthochromatic conditions, we introduce a mixed grayscale objective that trains the model under both standard luminance grayscale and a red-insensitive grayscale formation. Experiments on COCO, ImageNet, and a multi-instance benchmark show that our method is competitive on standard grayscale inputs and substantially more robust under orthochromatic inputs, with qualitative comparisons and a human study indicating fewer visible color artifacts.

Reviving Ancient Paintings via Poem: A Colorization Framework for Aligning Cultural Semantics

The irreversible fading of ancient paintings disrupts the "congruence between poems and paintings", a core aesthetic principle where visual imagery harmonizes with literary inscriptions. Although diffusion models provide strong generative priors, restoring historically faithful colors remains difficult: visual restoration is inherently ambiguous, while direct text guidance often causes modern semantic bias, over-saturation, and cross-boundary color leakage. To address this, we propose PoemColor, a poem-guided ancient painting colorization framework. Our method aligns poetic cultural semantics with painting restoration through two key designs. First, the Poetic Painting Projector (P3) converts implicit poetic context into a classical color-aware condition via poem-to-palette pretraining, reducing the ambiguity of poem-to-color mapping. Second, Structure-Aware Semantic Attention (SASA) regulates how poetic color semantics are injected into the diffusion backbone by jointly controlling their propagation direction and regional injection strength. In addition, we construct a hybrid restoration dataset that integrates synthetic degradation with expert-restored artifacts, providing both scalable supervision and real classical color references. Extensive experiments demonstrate that our framework significantly outperforms state-of-the-art methods, delivering controllable colorization that revives both historical authenticity and poetic semantics.

Semantic Color Naturalness Breaker: Preventing Illegitimate Colorization via Content-Aware Color Priors

Automatic image colorization enables large-scale and low-cost reuse of grayscale media (e.g., manga panels and archival photographs), facilitating unauthorized reuse and redistribution. Once released online, grayscale content can be readily turned into unauthorized colorized derivatives using off-the-shelf models, creating a practical need for proactive, content-side protection at publication time. Building on Uncolorable Examples (UE), which add imperceptible perturbations to released grayscale images to degrade unauthorized colorization, we propose Semantic Color Naturalness Breaker (SCNB) -- a semantic-level UE framework that drives colorization outputs toward content-inconsistent colors while preserving the visual fidelity of the released grayscale media. We further introduce Content-aware Color Distributional Distance (CaCDD), a ground-truth-free, content-aware measure of color plausibility derived from semantic color priors, used both as the optimization objective of SCNB and as an evaluation metric. Experiments on ImageNet show that our method remains effective under small perturbation budgets and common post-processing, supporting practical deployment in real-world content-sharing pipelines.

Multimodal Image Colorization: Quantifying the Impact of Text-Conditioned Guidance on Grayscale-to-Color Translation

Grayscale images are commonly found in historical photography restoration, medical imaging, and artistic media. However, automatically applying color to these images remains a significant challenge in computer vision because many plausible colorizations can correspond to the same grayscale input. In this work, we quantify the effect of text conditioning on pixel-level and perceptual metrics for grayscale-to-color image models. Specifically, we compare two architectures, a U-Net and Stable Diffusion 1.5, each tested with and without CLIP text conditioning while holding all other variables constant. Our results show that text conditioning improves PSNR by 5.6%, SSIM by 1.2%, and colorfulness by 36.6%, while reducing LPIPS by 7.6% in the U-Net tier. In the Stable Diffusion tier, text conditioning improves PSNR by 5.8%, SSIM by 1.5%, and colorfulness by 0.6%, while reducing LPIPS by 11.3%. These results indicate that text conditioning provides consistent, measurable improvements to colorization quality across both architecture scales.