Reggaeton is one of the most widely consumed music genres in the world, and its lyrics are commonly regarded as highly sexualized. This claim rests mostly on qualitative studies and on small-scale quantitative ones. This paper has two goals. First, we present a reproducible method that uses a large language model to quantify thematic content in song lyrics along several independent dimensions. The method is not restricted to sexual content. Second, we apply it to a corpus of 1,259 songs by 12 reggaeton artists released between 2002 and 2025. The analysis covers four topics: a dataset characterization, a per-artist comparison, an analysis of how the dimensions change over time, and a comparison between our sexual-explicitness score and Spotify's own explicit flag. We release the data collection code, the scoring prompt, and the corpus, so that other researchers can replicate the approach or apply it to their own lyrics datasets.
Lorenzo Canale, Stefano Scotta, Alberto Messinacs.CL
In recent years, studies have revealed a decline in semantic variety across popular music lyrics, particularly in English-language songs on streaming platforms like Spotify. This research examines whether a similar trend can be observed in a different linguistic and cultural context: the lyrics of all finalist songs from the 75 editions of the Sanremo Music Festival, Italy's most renowned music competition. What sets this work apart is the development of a flexible and efficient methodology for tracking changes in semantic similarity over time, which can be applied to different datasets to study similar phenomena. Drawing on a combination of full-text, segment-based, topic-based, and word-level analyses, the approach leverages both embedding techniques and large language models. When applied to the Sanremo corpus, this framework reveals a gradual move toward increasing semantic uniformity, echoing the global patterns identified in previous studies. These findings underscore the value of natural language processing tools in uncovering long-term shifts in musical language and cultural expression.