Automatic singing quality assessment (SQA) requires evaluating lyrical correctness and musical fidelity while handling expressive variations. However, existing systems largely rely on either acoustic cues or lyric transcriptions exclusively, limiting holistic performance evaluation. Furthermore, their integration is non-trivial due to challenges in robust singing transcription amid melisma, vibrato, and tempo elasticity. To this end, we propose MusicJudge, a modality-guided framework for automated SQA that performs block-aligned multimodal analysis by coupling lyric correctness with pitch-rhythm fidelity. It detects semantically meaningful lyric blocks using multi-signal matching that integrates semantic embeddings, lexical similarity, and phonetic alignment. To improve singing audio transcription, we introduce Modality-Guided LoRA for ASR fine-tuning. Experiments across datasets demonstrate strong agreement with human expert judgments and validate the generalizability of MusicJudge.
Clickbait content on video-sharing platforms poses a significant challenge to information reliability, yet progress in automated detection has been constrained by the lack of large-scale, high-quality multimodal datasets. We present YTClickbait21K, a human-annotated YouTube clickbait dataset comprising 21,238 videos collected from 40 channels across 29 countries, covering diverse content categories such as news, entertainment, education, and gaming. Each sample includes structured metadata (title, description, engagement statistics) along with associated thumbnail images, enabling comprehensive multimodal analysis. To ensure annotation quality, every video was independently labeled by three annotators using a standardized decision framework that incorporates textual, visual, and cross-modal consistency cues, with final labels determined through majority voting. The dataset exhibits substantial inter-annotator agreement (k=0.65), confirming reliable labeling despite the inherent subjectivity of clickbait detection. By combining scale, annotation rigor, and multimodal richness, this dataset provides a robust benchmark for developing and evaluating machine learning models, facilitating research in cross-modal semantic understanding, and advancing automated content moderation systems.
We investigate whether acoustic emotion recognition models can serve as proxies for the Pathos dimension in political speech analysis, as operationalised by the TRUST multi-agent large language model (LLM) pipeline. Using a Bundestag plenary speech by Felix Banaszak (51 segments, 245 s) as a case study, we compare three analysis modalities: (1) emotion2vec_plus_large, an acoustic speech emotion recognition (SER) model whose continuous Arousal and Valence values are derived via post-hoc Russell Circumplex projection; (2) Gemini 2.5 Flash, an LLM analysing the full speech audio together with its transcript in an open-ended, context-aware fashion; and (3) TRUST-Pathos scores from a three-advocate LLM supervisor ensemble. Spearman rank correlations reveal that Gemini Valence correlates strongly with TRUST-Pathos (rho = +0.664, p < 0.001), whereas emotion2vec Valence does not (rho = +0.097, p = 0.499). We further demonstrate, via a systematic quality evaluation of the Berlin Database of Emotional Speech (EMO-DB) using Gemini in an open-ended annotation paradigm, that standard SER benchmark corpora suffer from acted speech, cultural bias, and category incompatibility. Our results suggest that LLM-based multimodal analysis captures semantically defined political emotion substantially better than acoustic models alone, while acoustic features remain informative for low-level Arousal estimation. Future work will extend this approach to video-based analysis incorporating facial expression and gaze.