Since 2023, computer scientists have warned against model collapse -- the contamination of training sets with AI-generated outputs that progressively degrade model performance. Exemplifying a positive-feedback-driven failure, it produces effects such as word repetition or pixel noise, ultimately leading to a loss of meaning and coherence -- at least from an engineering standpoint. From a creative one, however, collapse is not merely a breakdown: it also functions as a recursive mirror that recalls early analog video feedback experiments, raising once again the question of what happens when a system turns inward and sees itself. In such cases, so-called machine vision no longer transmits the world (as in tele-vision) but increasingly generates worlds from within. Drawing on media archaeology through case studies of both historical video synthesis techniques and contemporary artistic uses of machine learning, this paper examines what recursive training reveals about the dependent nature of AI-generated data. It argues that the potential effects of collapse challenge transhumanist ideals while inviting an aesthetic perspective, positioning noise and recursion as key concepts for understanding both artmaking and the AI ecosystem. Distributing agency across scales and networks, the latter currently remains reliant on new human-produced content, particularly within foundation models trained on massive datasets.
Naïl B. Khelifa, Richard E. Turner, Ramji Venkataramananstat.ML cs.LG
Recursive training of generative models on their own outputs can lead to model collapse, a compounding drift away from the true data distribution. Existing theoretical works bound finite-round error accumulation in the context of diffusion models, but two questions remain open:~what distribution does the recursion converge to, and how fast? We answer both, isolating a mechanism distinct from imperfect learning: even with perfect score estimation and exact sampling, the early stopping of the reverse diffusion (required for numerical stability) drives a progressive drift away from the data distribution. We prove that this recursion converges geometrically to a unique limiting distribution, which admits a closed-form characterization as an infinite mixture of increasingly Gaussian-smoothed versions of the data distribution. A Hermite spectral decomposition of this limit reveals that recursive training acts as a low-pass filter: higher-order modes, which encode fine non-Gaussian structure, are attenuated much more strongly than coarse modes. This spectral picture motivates annealed truncation schedules that progressively shrink truncation times across retraining rounds; we prove that any schedule converging to $0$ asymptotically eliminates recursive compounding. Finally, we show our idealized characterization is robust: in the presence of discretization and score estimation errors, the learned distribution remains in a Wasserstein-2 ball around the ideal limit, with mode-dependent contraction rates that contract high-order errors faster than low-order ones. We validate the theory on synthetic Gaussian mixtures and CIFAR-10.