Frozen image embeddings from models such as CLIP are increasingly used to classify paintings by art-historical style, with high reported accuracy. We ask whether this accuracy reflects an understanding of style or the recognition of individual artists. Standard evaluation uses random splits in which works by the same artist appear on both sides, so a classifier can succeed by recognising the painter rather than the movement. We re-evaluate style classification under an artist-disjoint protocol, holding out every artist in turn so that no work is ever classified using other works by its own painter. On a balanced dataset of 320 paintings across four twentieth-century movements, 5-NN style accuracy falls from 0.87 to 0.77 under this protocol, and the drop is sharply uneven. Impressionism and Cubism barely move, while Surrealism falls twenty points. The pattern holds across four image encoders, including a vision-only self-supervised model, which places the effect in visual structure rather than language. Where an encoder captures genuine shared form, individual artists are barely recognisable yet style is robust, while Surrealism shows the opposite. We argue that artist-disjoint evaluation is necessary to measure stylistic understanding in frozen embeddings.
Style classifiers can use content cues that correlate with style labels in naturally collected data, yet we lack a systematic way to measure this reliance. We study this problem with a controlled content overlap setup built on parallel Bible translations. Specifically, we define the overlap parameter $α$ as the normalized residual of mutual information between content identity and style label, so that it measures how much content is shared across style classes: from no shared content ($α=0$) to fully shared content ($α=1$). Cross-overlap evaluation of RoBERTa-based classifiers shows that low-overlap models degrade when content cues are removed, while high-overlap models transfer more robustly. A cross-style content retrieval probe further shows that content becomes less recoverable as $α$ increases, with training dynamics showing this removal occurs gradually. Together, these results suggest that controlled overlap provides a simple diagnostic for separating style learning from content shortcuts.