The personal archive of Konstantin Tsiolkovsky (1857-1935) is held as fond 555 of the Archive of the Russian Academy of Sciences. The archive scanned the fond and published the images, but with no queryable catalogue, no full-text search and no dataset: the holdings can only be browsed one page at a time. This paper describes a machine-readable catalogue of all 2,019 files and 51,008 scans, a dating for 1,969 files taken from the archive's own descriptions, a page-level classification of every scan into handwriting and typescript, and a growing corpus of machine transcriptions (currently 322 files, 5,454 scans). It also reports a way to measure handwritten-text-recognition accuracy in an archive with no ground truth. Archives of the typewriter era often preserve one text twice, as manuscript and as a typed copy; transcribing both and comparing isolates the reading error, since source and pipeline are identical and only page difficulty differs. Across 294 such pairs from 27 files, two readings of a handwritten page agree on a median 37% of words. On two files that also have a published edition the estimate can be checked against ground truth: it is unbiased to within a percentage point and ranks pages as the truth does (rank correlation 0.92 where the edition is a faithful witness). This bounds use: two variants of one work here share 19% of words, below the rate at which two readings of a single page agree, so the redactions cannot be collated word by word at this quality. That negative result is reported as such, and the constraint is built into the tool.
Samuel Bestvater, Athena Chapekis, Skyler Seets +3cs.CL cs.CY cs.SD stat.AP
Religious radio is a widespread but understudied form of mass communication in the United States, and content-level analysis of it has been constrained by the absence of large-scale transcript data. This Data Descriptor presents a corpus of transcribed English-language religious radio broadcasts captured from live webstreams over a one-month period in July 2025. Fifteen-minute segments were recorded on a rolling schedule from 785 distinct streams, which together rebroadcast the signals of more than two thousand AM and FM stations, yielding over 700,000 recordings and more than 60 million diarized lines of speech. Each recording was transcribed and speaker-diarized with an automated pipeline, and segmented and labeled by programming format and topic using a large language model. The corpus is organized as linked tables of stream metadata, recording metadata, and transcript lines. It supports descriptive study of religious broadcasting across regions and traditions, analysis of how social and political issues are discussed in religious media, and speech-processing research in an underrepresented domain.
Caption Studio is a transparency-first speech and audio intelligence platform that transforms spoken audio and video into structured, searchable content through automated transcription, speaker diarization, speech analytics, signal-level audio analysis, and subtitle generation. The system is built on a FastAPI backend with a real-time dashboard and adopts a three-layer architecture comprising (i) a transcription and diarization core based on Whisper-class automatic speech recognition and pyannote speaker diarization, (ii) an audio intelligence layer that extracts acoustic and linguistic features, including waveforms, spectrograms, pitch, speaking rate, silence, filler-word frequency, and sentiment, directly from the audio signal, and (iii) an integration layer that supports data export and downstream workflow integration. A principal contribution of this work is the transparency-first framework, in which every reported metric is explicitly identified as measured, derived, or unavailable, thereby improving the traceability, interpretability, and reliability of speech analytics. The paper presents the system architecture, benchmarking methodology, explainability and uncertainty framework, and key considerations for enterprise-scale deployment.
Comparing text strings is crucial when evaluating and understanding the performance of various text processing tasks such as document recognition and audio transcription. With an increasingly complex landscape of AI-based handwritten text recognition (HTR), optical character recognition (OCR) and automatic speech recognition (ASR) models, there is a need for tools that facilitate evaluation in a flexible and reproducible way. This paper presents Stringalign, a Python library designed to simplify the evaluation process for automatic transcription projects and facilitate transparent evaluation. Stringalign's tools to examine and visualise both the rate of errors and the types of errors a model makes, give insights into possible improvements and help inform model selection for a particular task. Widely used string comparison metrics, such as the character and word error rates (CER and WER), although useful, can be ambiguous due to varying definitions of what constitutes a character and a word. Stringalign addresses this challenge by ensuring all preprocessing (i.e. normalisation and tokenisation) is transparent and easily replicable, and by providing tools to move beyond summary statistics and analyse common model errors. Moreover, Stringalign adheres to FAIR (Findable, Accessible, Interoperable, and Reusable) principles for research software while staying lightweight and easy to adapt into researchers existing workflows. In this paper, we discuss challenges with character and word level string comparisons and show through examples that where existing tools can yield opaque and sometimes confusing results, Stringalign provides an easy-to-use and unambiguous alternative.